I can’t imagine how an assumption can be made that a voiceover career is in the cards for someone who has not been given a chance to read a wide variety of material that is characteristic of the production marketplace, as well as to have the time to observe proficiency in skills such as pace, timing, breathing, inflection, comprehension, and the like. Both of the above are assembly-line approaches, and can and do bring in a lot of business. What I offer instead, is a hard look at your potential through a two-hour evaluation, a candid critique of your ability and potential, and if the results are positive, a program of one-on-one instruction. Then, as you progress, we will determine the proper time to produce your demo. Of course, this philosophy is guaranteed not to make me rich, since it limits the number of students I can accommodate. Remember also that I cannot determine how faithfully a student will follow a practice regimen. All of my students have other responsibilities, not the least of which are work and family. In spite of the best intentions, people cannot always practice consistently, and naturally, this can affect progress on the road to producing a demo. Speaking of demos, I’ve had students from time to time who have taken the lessons up to the point where I’ve recommended doing a demo, inform me that they’ve found a friend with a studio who will record their demo for a rate far below mine. This also means that they will pick their own material, rehearse and record without the benefit of my input. I’ve listened to the results of these misadventures, and they’re definitely not up to my standards. I invite you to look at the DEMO section on this website to see what goes into the preparation for and production of our demos. I can only remind you that you get what you pay for. Performing voiceovers is a great way to make a living. Don’t make the mistake of assuming that you can learn to do it overnight. It is a process, and it is different for everyone. In this business, there are no short cuts.
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